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LUMINA: Choral Music of Kevin Siegfried (2025)

Byrd Ensemble, directed by Markdavin Obenza

SRCD14

Release Date: November 14, 2025

iTunes, Spotify

 

THE BYRD ENSEMBLE
Markdavin Obenza, director

Kevin Siegfried, composer

 

THREE ENGLISH CAROLS
01 There Is No Rose 2:54
02 I Sing of a Maiden 4:05
03 Adam Lay Ybounden 3:05


VIDIMUS STELLAM
Christmas Cantata for SATB Chorus and Brass Quintet
04 I. O Oriens 3:19
05 II. Rorate Caeli 2:40
06 III. Hodie Christus Natus Est 3:14
07 IV. Surge Illuminare 3:36
08 V. Vidimus Stellam 4:09


ANNUNCIATION
09 I. She Met the Day 1:39
10 II. Ave Maria 4:21
11 III. All Shall Be Well 1:59

 

Soprano

Julia Baker

Natalie Ingrisano

Margaret Obenza

Ruth Schauble (2)

 

Alto

Sarra Sharif Doyle (2)

Erica Dunkle

Lauren Kastanas

Sophie Nash

 

Tenor

Orrin Doyle

Samuel Faustine

Carson Lott

Chad DeMaris

 

Bass

Clayton Moser

Evan Norberg

Matthew Peterson

Jonathan Silvia

 

Brass

Trumpet 1: Sarah Viens

Trumpet 2: Bruce Daugherty

Horn: Kyli White

Trombone: Patrick Raichart

Bass Trombone: Benn Hansson

 

Audio and Video produced by Markdavin Obenza for Scribe Records.

Graphic Design by Jen Milius Graphic Design
Photos by Donald Slater
Recorded June 2025 at Holy Rosary Catholic Church, Seattle, WA
Produced and Distributed by Scribe Records

LUMINA: Choral Music of Kevin Siegfried (2025)

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  • REVIEWS

    "[Dr. Siegfried’s] has a style that goes far beyond his research and settings of Shaker tunes. Lumina showcases the composer’s gift for creating lush harmonies, deftly setting chant, and illumining texts...with a unique perspective."

    "[I Sing of a Maiden].. A lovely soprano soloist takes the lead over close harmonies... the words “so still” are repeated to great effect, causing the listener to lean in to hear what’s next...and the soprano soloist returns to bring the work full circle."

    "[The Byrd Ensemble] is just about flawless, and its sound is further enhanced by the acoustic at Holy Rosary Catholic Church in Seattle."

    "Finally, Vidimus Stellam reveals the light of the star, and beautiful contrapuntal writing in a chant style.. I loved the ending – exquisite and not overdone, but I felt as if I’d been on a journey."

    "This a cappella gem [She Met the Day] may be my favorite on the recording; I was literally left in a state of awe."

    "...I encourage you to get this recording, and I suspect you will be as moved and impressed as I was."

     

    Marjorie Johnston, The Journal of the Association of Anglican Musicians, Vol. 35, No. 2 (March–April 2026)

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